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CM

Denver, Colorado

I shoot cars standing still — at meets, in parking structures, and after everyone has gone home — and I make rugs by hand. Both take more patience than they look.

keep scrolling —

the same model a, other side

the same model a, other side

Booking

Most photos of a car happen in the nearest lot, at noon, in about four minutes. The whole job is not doing that.

Book a shoot

or just DM me the car

  1. Parked, and actually lit

    worth the wait

    A car sitting still is not the easy version — it is the one where the angle, the background and the hour are all that is left to hide behind. I will find the spot and come back when the light is right.

  2. I shoot after dark too

    see: night

    Long exposures, light trails, and parking structures once everyone else has gone home. It is the half of the day most people skip, and cars hold up well in it.

  3. Your files back in a week

    usually sooner

    Edited, full resolution, and cut for a feed as well — so you are not cropping a 6000-pixel frame on your phone at midnight.

  4. Priced like a person

    just ask

    No studio to pay for and no day rate to pad. Tell me the car and what you have got, and I will tell you straight away whether it works.

The other half

Every rug starts as a drawing, gets punched into cloth with a tufting gun, then shaved down until the lines come back.

Frames published

Rolls in the box

Shooting since